Le programme de d\u00e9bat public dirig\u00e9 par <\/span>Direzione Generale Creativit\u00e0 Contemporanea<\/span> \u00e0 l’occasion de l’exposition \u00ab Souvenir d’Italie \u00bb commissaire Eugenio Viola, avec des \u0153uvres de Binta Diaw, Adji Dieye et Delio Jasse, pr\u00e9sent\u00e9e dans le cadre des \u00e9v\u00e9nements OFF de la Biennale de Dakar et de Partcours, s’est achev\u00e9 le 12 f\u00e9vrier 2025.<\/p>\n

<\/span>Deux journ\u00e9es consacr\u00e9es au dialogue entre l’Italie et le S\u00e9n\u00e9gal sur les r\u00e9sidences artistiques, sur la mani\u00e8re dont l’art et la culture peuvent aborder les grands th\u00e8mes de l’actualit\u00e9 et sur l’\u00e9volution du r\u00f4le des mus\u00e9es dans le <\/span>monde contemporain, avec de nombre<\/span>ux invit\u00e9s\u00a0<\/span>\u00e9minents<\/span>\u00a0et des mo<\/span>ments de r\u00e9seautage plus informels.<\/span><\/div>\n<\/div>\n

L’objectif de ces journ\u00e9es \u00e9tait de promouvoir la connaissance mutuelle et d’\u00e9tablir une plateforme d’\u00e9change r\u00e9elle pour de nouvelles collaborations internationales au profit des artistes et des conservateurs.<\/span><\/div>\n

<\/div>\n

L’institut souhaite remercier la\u00a0<\/span>Direzione Generale Creativit\u00e0 Contemporanea<\/span>\u00a0pour son soutien et son r\u00f4le de commissaire du programme, les orateurs et les mod\u00e9rateurs des tables rondes qui ont contribu\u00e9, par leur exp\u00e9rience, \u00e0 rendre les discussions authentiques et approfondies, tous ceux qui ont suivi le programme, l’universit\u00e9, les artistes, les praticiens et le public pr\u00e9sent.<\/span><\/div>\n

\u00a0<\/span><\/div>\n

Le programme public s\u2019est d\u00e9velopp\u00e9 \u00e0 travers trois tables rondes :<\/span>
\n<\/span><\/div>\n

\u00a0<\/span><\/div>\n

11 f\u00e9vrier 2025 11h00<\/span><\/span><\/div>\n

\u00a0<\/span><\/div>\n

\u00ab ITALIE \u2013 S\u00c9N\u00c9GAL PROJETS, R\u00c9SEAUX ET\u00a0<\/span>OPPORTUNIT\u00c9S DE R\u00c9SIDENCES ARTISTIQUES \u00bb<\/span><\/span><\/div>\n

Avec la participation de:<\/span><\/div>\n

\u2022 Ndeye Filly Gueye –\u00a0<\/span>Programmes Curator, RAW Material Company<\/span><\/p>\n

\u2022 Jennifer Houdrouge –\u00a0<\/span>Fondatrice et Directrice Selebe Yoon<\/span><\/span><\/div>\n

\u2022 Paolo Mele –\u00a0<\/span>Pr\u00e9sident de STARE\u00a0<\/span>(Association des R\u00e9sidences Artistiques Italiennes)<\/span><\/span><\/div>\n

\u2022 Hamedine Kane –\u00a0<\/span>Artiste r\u00e9sident \u00e0 Villa M\u00e9dicis, Rome (2023\/2024)<\/span><\/span><\/div>\n

\u2022 Fatima Bintou Rassoul SY –\u00a0<\/span>Directrice des Programmes, RAW Material Company<\/span><\/span><\/div>\n

A mod\u00e9r\u00e9 la rencontre<\/span>\u00a0: Fatima Bintou Rassoul Sy<\/span><\/span><\/div>\n

\u00a0<\/span><\/span><\/div>\n

11 f\u00e9vrier 2025 15h00<\/span>
\n<\/span><\/span><\/div>\n

\u00a0<\/span><\/div>\n

\u00ab LES TH\u00c8MES DE DAK\u2019ART 2024 : CHANGEMENT CLIMATIQUE ET MIGRATIONS \u00bb<\/span><\/span><\/div>\n

<\/div>\n

Intervenants:<\/span><\/div>\n

\u2022 Lucrezia Cippitelli –\u00a0<\/span>Directrice artistique de Kunst Merano Arte, curatrice et\u00a0<\/span>enseignante \u00e0 l\u2019Acad\u00e9mie des Beaux-Arts de Brera<\/span><\/span><\/div>\n

\u2022 Chiara Figone –\u00a0<\/span>Chercheuse, \u00e9ditrice et commissaire, fondatrice d\u2019Archive<\/span><\/span><\/div>\n

\u2022 Massamba Mbaye –\u00a0<\/span>Pr\u00e9sident des Manifestations OFF de la Biennale de Dakar\u00a0<\/span>2024 et commissaire du Pavillon du S\u00e9n\u00e9gal \u00e0 la Biennale\u00a0<\/span>d\u2019art de Venise 2024<\/span><\/span><\/div>\n

\u2022 Mauro Petroni –\u00a0<\/span>Artiste c\u00e9ramiste, commissaire d\u2019exposition et cofondateur\u00a0<\/span>de Partcours<\/span><\/span><\/div>\n

A mod\u00e9r\u00e9 la rencontre<\/span>: Hamidou Anne –<\/span>\u00a0<\/span>auteur et analyste politique<\/span><\/span><\/div>\n

\n<\/span>12 f\u00e9vrier 2025 11h00<\/span>
\n<\/span><\/span><\/div>\n

\u00a0<\/span><\/div>\n

\u00ab LA CULTURE, MOTEUR CL\u00c9 DU D\u00c9VELOPPEMENT DURABLE : LE R\u00d4LE DES MUS\u00c9ES \u00bb<\/span><\/span><\/div>\n

\u00a0<\/span><\/div>\n

Intervenants:\u00a0<\/span><\/span><\/div>\n

\u00a0<\/span><\/div>\n

\u2022 Lorenzo Balbi –\u00a0<\/span>Directeur du Mus\u00e9e d\u2019art moderne de Bologne et Pr\u00e9sident\u00a0<\/span>de l\u2019Association des Mus\u00e9es d\u2019Art Contemporain Italiens\u00a0<\/span>(AMACI)<\/span><\/span><\/div>\n

\u2022 Mohamed Abdallah Ly –\u00a0<\/span>Directeur g\u00e9n\u00e9ral du Mus\u00e9e des Civilisations Noires<\/span><\/span><\/div>\n

\u2022 E. H. Malick Ndiaye –\u00a0<\/span>Chercheur-Historien de l\u2019art, Universit\u00e9 Cheikh Anta Diop\u00a0<\/span>de Dakar IFAN, Conservateur du Mus\u00e9e Th\u00e9odore Monod\u00a0<\/span>d\u2019art africain<\/span><\/span><\/div>\n

\u2022 Andrea Viliani –\u00a0<\/span>Directeur du Museo delle Civilt\u00e0 de Rome<\/span><\/span><\/div>\n

Mod\u00e9rateur : Massiga Faye –\u00a0Chef du d\u00e9partement Culture, Le Soleil<\/span><\/span><\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"Le programme de d\u00e9bat public dirig\u00e9 par Direzione Generale Creativit\u00e0 Contemporanea \u00e0 l’occasion de l’exposition \u00ab Souvenir d’Italie \u00bb commissaire Eugenio Viola, avec des \u0153uvres de Binta Diaw, Adji Dieye et Delio Jasse, pr\u00e9sent\u00e9e dans le cadre des \u00e9v\u00e9nements OFF de la Biennale de Dakar et de Partcours, s’est achev\u00e9 le 12 f\u00e9vrier 2025. Deux […]","protected":false},"author":4,"featured_media":3171,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"tags":[],"class_list":["post-3199","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/iicdakar.esteri.it\/fr\/wp-json\/wp\/v2\/posts\/3199","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/iicdakar.esteri.it\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/iicdakar.esteri.it\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/iicdakar.esteri.it\/fr\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/iicdakar.esteri.it\/fr\/wp-json\/wp\/v2\/comments?post=3199"}],"version-history":[{"count":1,"href":"https:\/\/iicdakar.esteri.it\/fr\/wp-json\/wp\/v2\/posts\/3199\/revisions"}],"predecessor-version":[{"id":3200,"href":"https:\/\/iicdakar.esteri.it\/fr\/wp-json\/wp\/v2\/posts\/3199\/revisions\/3200"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/iicdakar.esteri.it\/fr\/wp-json\/wp\/v2\/media\/3171"}],"wp:attachment":[{"href":"https:\/\/iicdakar.esteri.it\/fr\/wp-json\/wp\/v2\/media?parent=3199"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/iicdakar.esteri.it\/fr\/wp-json\/wp\/v2\/tags?post=3199"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}